Selected Excerpts
from Artful Italy:
The Hidden Treasures

by Ann S. Brandon

“persuade[s] her readers to experience the unknown, to go beyond first impressions . . . extremely witty and well-written . . . for those who savor art”
--The Chicago Tribune

“Packed with information rarely found in standard guides. . .[Artful Italy] offers a fresh perspective. Highly recommended.”
--The Library Journal
 
The Plague
Gaetano Giulio Zumbo's Syphilis
(photo by Carl Brandon)







FLORENCE: La Specola
Wax Anatomical Museum

Italy's Zoological Museum, steps away from the Pitti Palace, contains over 600 wax models of human anatomy that are fascinating and sometimes gruesome works of art.
MILAN:
Trivulzio Tapestries
of the Months

by Bramantino
ORTA:
St. Francis
Sacred Mountain

December

December
at Castello Sforzesco
(silk and wool).

Recently on display
at the Metropolitan
Museum of Art's
Renaissance
Tapestries

exhibit

St. Francis among the Carnival Revelers

St. Francis walks
half-naked through
Assisi to expiate
his sins and stop
the Carnival debauchery.
(terracotta sculptures)


    Born to an aristocratic Sicilian family, possibly the son of a slave girl named Zummo, Zumbo came in 1691 to Naples, where he made the first vignette of three scenes of the plague, titled The Theater of the Plague, The Triumph of Time, and The Corruption of the Body, which he created when in Florence between February 1691 and April 1694. (In The Triumph of Time, now known simply as The Burial, a later artist added a medallion of what has always been accepted as a portrait of Zumbo.)

The Anatomical Head
The Anatomical Head
(Bambi)         

     Also displayed in the Zumbo room are fragments of his Syphilis [above] that survived the 1966 flood. Finally, La Specola contains one of the seminal works for all realitic waxen images, from its own pieces of art to Madame Toussaud&146;s tourist baits, and that is what is called simply The Anatomical Head [right]. It can also claim title to Most Macabre Piece in the Most Macabre of Museums, for Zumbo created it before he had perfected the techniques for anatomical modeling that he invented. In this first experiment, he simply poured wax over a human skull and molded the details around the empty sockets.


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