persuade[s]
her readers to experience the unknown, to go beyond first
impressions . . . extremely witty and well-written . . .
for those who savor art
--The Chicago Tribune
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Packed with information rarely found in standard guides. . .[Artful Italy] offers a fresh perspective. Highly recommended.
--The Library Journal |
FLORENCE: La Specola
Wax Anatomical Museum
Italy's Zoological Museum, steps away from the Pitti Palace, contains over 600 wax models of human anatomy that are fascinating and sometimes gruesome works of art.
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MILAN:
Trivulzio Tapestries
of the Months
by Bramantino
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ORTA:
St. Francis
Sacred Mountain
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Born
to an aristocratic Sicilian family, possibly the son of a slave
girl named Zummo, Zumbo came in 1691 to Naples, where he made the
first vignette of three scenes of the plague, titled The Theater
of the Plague, The Triumph of Time, and The Corruption of
the Body, which he created when in Florence between February
1691 and April 1694. (In The Triumph of Time, now known simply
as The Burial, a later artist added a medallion of what has
always been accepted as a portrait of Zumbo.)

The Anatomical Head
(Bambi)
Also displayed in the Zumbo room are
fragments of his Syphilis [above] that survived the 1966
flood. Finally, La Specola contains one of the seminal works for
all realitic waxen images, from its own pieces of art to Madame
Toussaud&146;s tourist baits, and that is what is called simply The
Anatomical Head [right]. It can also claim title to Most Macabre Piece
in the Most Macabre of Museums, for Zumbo created it before he had
perfected the techniques for anatomical modeling that he invented.
In this first experiment, he simply poured wax over a human skull
and molded the details around the empty sockets.
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